Dancing In The Dark - Kim Wilde - The Very Best Of Kim Wilde (Vinyl, LP)
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Vanilla Fudge. Kim Wilde. Aliens Live. The Remix Collection. Discography Marty Wilde Ricky Wilde. On 2 NovemberJulien's Auctions auctioned hundreds of memorabilia from the singer's career. InLP) was engaged to but never married Bruce Welchone of her early producers and co-writer of her hit " Please Mr.
Please ". Inwhile vacationing on the French Riviera, Newton-John met British businessman Lee Kramer, who became both her new boyfriend and manager. Newton-John married her long-time boyfriend, actor Matt Lattanziin December They divorced in According to People magazine, people close to the couple said that the disparity between her spiritual interests and his more earthly ones was a key factor in the dissolution.
The couple dated on and off for nine years. McDermott disappeared following a LP) trip off the Californian coast. In Mayit was announced that Newton-John's breast cancer had returned and metastasized to her lower back.
Newton-John subsequently revealed this was actually her third bout with breast cancer, as she had privately battled a recurrence of the disease in in addition to her initial fight. Newton-John experienced a great deal of pain from the metastatic bone lesions and has openly spoken of using cannabis oil to ease her pain.
She is an advocate for the use of medical cannabis. From Wikipedia, the free encyclopedia. Redirected from Olivia Newton-John discography. British-Australian singer, songwriter and actress.
AC DBE. CambridgeCambridgeshireEngland. Singer songwriter actress entrepreneur activist. Matt Lattanzi. John Easterling. Pop country soft rock adult contemporary pop rock dance-pop. Musical artist. This section needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed.
Main article: List of awards and honours received by Olivia Newton-John. All Music Guide to Country. San Francisco: Miller Freeman Books. ISBN Retrieved 13 August Retrieved 25 July Retrieved 5 November Born Retrieved 2 March Archived from the original on 30 November Retrieved 11 November Astrophysics and Space Science. S2CID Notes Rec. The Biography Channel UK. Archived from the original on 9 March Retrieved 9 March The Telegraph.
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Retrieved 10 February Archived from the original on 6 August Archived from the original on 7 September Retrieved 7 September Archived from the original on 1 August Great Walk to Beijing. Archived from the original on 16 October Archived from the original on 29 August Retrieved 8 August Gary was very good to us. Paul Humphreys . Rather than hire studio time to record their eponymous debut albumMcCluskey and Humphreys used their advance payment from Dindisc to build their own Liverpool recording studioThe Gramophone Suite.
They predicted that they would be dropped by the label due to disappointing sales, but would at least own a studio. It had a raw, poppy, melodic synth-pop sound. A tour followed: Winston the tape recorder was augmented with live drums from Malcolm Holmesand Dave Hughes played synths. Hughes left Dancing In The Dark - Kim Wilde - The Very Best Of Kim Wilde (Vinyl in late It was again produced by Howlett, and had a moodier, dark feel largely inspired by the passing of former Factory label-mate, and Joy Division singer, Ian Curtis.
The tour for this album had a four-piece band line-up, with saxophonist Martin Cooper another Dalek I Love You alumnus recruited for keyboard duties and enlisted as an official group member. It ushered in a lush choral electronic sound.
The group went into the studio with Richard Manwaring producing. The album's sound saw OMD's original synth-pop sound augmented by the Mellotron an instrument previously associated with prog rock bands. They used it to add atmospheric swatches of string, choir, and other sounds to their palette. Two more hit singles "Joan of Arc" and " Maid of Orleans " which became the biggest-selling single of in Germany  were on the album.
In the band lost commercial momentum somewhat, with the LP) of their more experimental Dazzle Ships album, produced by Rhett Davies. Its relative commercial failure caused a crisis of confidence for Humphreys and McCluskey and brought about a deliberate move towards the mainstream.
The album was a success, reassuring the group about their new direction. Inthe band expanded to a sextet, adding brothers Graham Weir guitar, keyboards, trombone and Neil Weir trumpet, bass guitarand released Crushproduced by Stephen Hague in Paris and New York. During this period, the band also recorded a special version of "So in Love" in duet with the French pop singer Etienne Daho.
Later in the band were asked to write a song for the John Hughes film Pretty in Pink. They offered "Goddess of Love", although the ending of the film was re-shot due to a negative response from test audiences.
At the end of this year, the same six piece line-up also released The Pacific Agebut the band began to see their critical and public popularity wane notably in the UK. Journalist Hugo Lindgren argued that the success of "If You Leave" has concealed from US audiences the group's history of making innovative music. Graham and Neil Weir left the band at the end of the US tour. Humphreys departed in amid personal and creative dissension with McCluskey. How to fix it was where we disagreed. This left only McCluskey to carry on, essentially becoming a solo artist working under the OMD banner.
The album Liberatorwhich ventured further into dance territory, was released in Lead single " Stand Above Me " peaked at no. Paul Humphreys, while no longer part of the group, co-wrote the single " Everyday " a No. Also inMcCluskey made contributions to the Esperanto album, a project by former Kraftwerk member Karl Bartos then working under the moniker of Elektric Music.
McCluskey returned with a rotating cast of musicians for the more organic Universal which featured two songs co-written by Humphreys as well as a holdover from the Esperanto sessions, co-penned by Bartos.
A particular source of frustration was the modest commercial response to " Walking on the Milky Way ", over which McCluskey said he "sweated blood", considering it "about as good a song as I could write". BBC Radio 1 refused to playlist the song, which in turn led to high street store Woolworths refusing to stock it.
McCluskey said, "I just thought: 'Screw this, I'm not going to bang my head against a brick wall'. Post, McCluskey decided to focus on songwriting for such Liverpool based acts as Atomic Kitten and the Genie Queen, and trying to develop new Merseyside artists from his Motor Museum recording studio.
An unexpected request to perform from a German Television show and McCluskey's desire to find distraction after his acrimonious divorce led the group to reform. The second half of each concert featured a selection of their best known hits. At the same time, a brief October tour was announced, partly to tie-in with the Dazzle Ships album's 25th anniversary. China Crisis supported OMD on this tour.
A recording of this concert was released on DVD in December. A European tour followed in autumn. In NovemberOMD announced they were getting back to the studio to start work on their latest album, English Electric. We can do what the hell we want. Andy McCluskey . Reviews for both the album and their concerts have generally been positive. The only song post played was "History of Modern Part 1". The concert was recorded and made available on double CD right after the show.
A triple LP vinyl recording of the concert was also made available. InOMD published a book entitled "Pretending to See the Future", which is a first-person "autobiography" about the band. For people who pre-ordered the book on PledgeMusicthey received a limited-edition flexi-disc containing a previously unheard demo of " Messages " from As part of the group's 40th-anniversary celebrations, a UK and European tour was announced in March It also contains 22 previously unreleased recordings from the group's archive, selected and mixed by Paul Humphreys.
James Hunter of Spin wrote that "OMD set about reinventing punk with different applications of dance beats, keyboards, melodies, and sulks", rejecting the genre's "sonic trappings but not its intellectual freedom". OMD were indifferent to celebrity status, and avoided the calculated fashion stylings of many of their s peers.
The experimental Dazzle Ships was a critical and commercial disappointment upon release. This prompted OMD to move towards a more accessible sound on the black music -influenced Junk Culture ; the band also donned more vibrant garments on the album's accompanying tour.
Some journalists have rejected the group's post- Dazzle Ships reinvention,   while others have expressed an appreciation for the new direction. Club said OMD would "give up" creatively,  while the Quietus founder John Doran wrote, "It's quite popular to see OMD as nose-diving into the effluence after Dazzle Ships but the truth is there is still much to recommend. Musicians have commented on OMD's mids output.
Moby said, "Their earlier records were just phenomenal Junk Culture is great. Spin journalist Jessica Bendinger wrote in"[OMD's] music has been colored by continual exploration The McCluskey-led OMD explored a dance -oriented approach on Sugar Tax and Liberator ;  critic Ian Peel wrote that the band "defied expectations by updating their sound and becoming, if only briefly, relevant in the 90s".
The Scotsman . OMD have been named as pioneers of electronic music,     and one of the more important acts of the synth-pop genre;   Nightshift identified OMD, and fellow late s debutants Gary Numan and the Human Leagueas "the holy trinity of synth-pop". OMD often faced hostility from the music press. OMD influenced several s contemporaries, including Depeche Mode. From Wikipedia, the free encyclopedia. English band. This article is about the LP).
For their debut album, see Orchestral Manoeuvres in the Dark album. Electronic  new wave  synth-pop  experimental . Main article: Orchestral Manoeuvres in the Dark discography. Archived from the original on 25 April Retrieved 30 April Retrieved 2 May The A. Retrieved 28 January Popular Music Since Mansell Pub.
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