Dreamscape - Daley / Lorien - Architects Of Time (CD, Album)
Songs are about 5 minutes length, with ample changes of mood, but no over-complicated song structures or lengthy solos. On subsequent albums they would get longer and even more intense and emotional. Dreamscape could reasonably be called Dreamtheater clone - a very good clone - if the band's leader didn't insist he formed it before anyone heard of Dreamtheater.
Anyway, Dreamscape distinguishes itself in this over-populated genre by doing very good contrasts in the music - thrash and melodic metal, heavy verse-light choruses or vice versacrushing guitar riffs and very diverse keyboards in fact, keys are as much of a highlight as the guitar, doing both beautiful piano lines and dark atmospherics, playing Dreamscape - Daley / Lorien - Architects Of Time (CD melodies along with the guitar, not just complementing it.
The first albums, if rated independently, probably deserve a 3 star. But as a compilation of the better songs, this album and the even better 5th Season album convincing 5 stars are the ones from Dreamscape that I would keep. Then it's a testament to the guy's talents that it is all very listenable but you have to give it a few spins. The principal vocalist has an aggresive style, so most Album) are in prog-power vein, rather than the intense and emotional Dreamtheater vibe of the 5th Season come on!
But there are also classically inspired instrumental pieces, a couple of ballads, and more-changes-than-you-blink Dreamscape - Daley / Lorien - Architects Of Time (CD workout of "A matter of time transforming". A feature of the band is the very heavy tone of the guitar. Keyboards are equally prominent and diverse, from piano-ish runs to dramatic soundscapes.
But structures generally are less complex than before, maybe an appeal for broader recognition this time around. The song has everything one would expect from a Dreamscape - Daley / Lorien - Architects Of Time (CD metal album opener minus speedy theatrics. Instead, the song focuses on the rhythm and the big vocals. After three minutes of robust symphonic music, the band kicks in with methodical metal. The bright melody over piano about six minutes in is quite uplifting, and the subsequent guitar solo is a real highlight.
Delicate guitar brings in a gentler, yet still ominous passage, which gives way to more biting guitar, heavy drumming, and a synthesizer solo. This is a big song, one that can really feel as though it is starting to lose focus around seventy-five percent of the way through. Toward the end, it allows the piano to take over the repeated melody, and this is an excellent move. The song uses simple chords and a straightforward but agreeable melody. Maurice Jarre.
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Styles Film Score. During the sessions, a keyboardist was brought in to add to and flesh out the sound. This shake up caused the sudden exit of founder Stefan Gassner and Andreas Angerer, leaving the band with a few holes to fill. The recording and release went on as planned, and 's debut was taken on and promoted by Rising Sun Album). Before the band could get rolling with their new members, however, vocalist Tobi Zoltan was asked to leave, and eventually a replacement was found in Hubi Meisel.
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