22 Syllables - Into It. Over It. - 52 Weeks (Vinyl, LP, Album)
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We can help with urgent tasks Need a paper tomorrow? Lana describes her jealousy while dating a musician, feeling like a secondary concern to his art. The production is business as usual -- piano, trap drums -- as is the Rich Lee-directed video, even with its admittedly beautiful digital shots of the L. This bouncy, much-hyped Max Martin-produced single allows all three of its stars to be themselves -- yet they never meet in the middle.
Lana Del Rey, non-album single, Lana Del Rey, Blue Madonna The two have real vocal chemistry, but the music feels too off-kilter to be the anthemic pop single it wants to be. Each chorus brings an unnecessary key change, each more disorienting than the last. Big Eyes was inspired by the life of the artist Margaret Keane, whose signature paintings of big-eyed children became an American phenomenon, all while her husband spent years taking credit for her work.
A tender, minor-key ballad about finding true love after some troubled times. Lana would distance herself from such overt displays of patriotism just a few years later. Honeymoon is an excellent album, but starting with "Art Deco" at track seven, it can get too laid-back for its own good.
Unlike the studio version, her live Tonight Show performance features backing vocalists, and simply feels fuller and more alive. She is the girl in my music, and I am the guy in her music. The song finds Lana going through the five stages of grief, as she attempts to process a breakup.
Lana Del Rey, Wanderer Lana only sings a few lines, mostly backup, but her presence lends crucial moral support. This Lust For Life promo single might be the least critical ode to the groupie since the heyday of glam metal. When her voice returns at the climax almost two minutes later, she hits a stunningly beautiful high G.
They manage to make one of the saddest Christmas songs even sadder, and the results are magical. Lana Del Rey, Starboy Eliot poem about the fleeting, circular nature of time. The titular chorus is mesmerizing, as Del Rey coos in a high falsetto while trap hi-hats twirl around her. Sometimes you need to visualize a future before you choose not to go down that path. Stevie Nicks, Lust For Life Lizzy Grant. The Weeknd, Lust For Life For years, listeners debated -- was Lana glamorizing feminine suffering?
Or was she simply expressing her honest, morbid thoughts? But as she recalls the most idyllic moments of a relationship, she also remembers that it ended. Nostalgia has its limits, but the past lives on through them, and us, to rewrite the future. In those early years, Lana made you believe she was living out her Hollywood fantasies, whether you liked her or not. Heartbroken over an ex-boyfriend, she discovers herself through dance and music.
All three icons appear in Tropicothe short film directed by Anthony Mandler, where Lana portrays a modern Eve, cast out of the garden of Eden. In the real world, she becomes a stripper who liberates herself by robbing her rich older clients, and is then readmitted to heaven. Like Lana herself, these four women are cultural symbols, yet real, ordinary human beings too.
The glitz and glamour will fade, yet Lana Del Rey remains, the eternal troubadour. Diss tracks -- if you even call this one -- rarely contain this much self-loathing. Lana spends most of the song taking shots at her protagonist, a singer with more vanity than talent. Watching the kids celebrate at Coachella, Lana wonders what their future will look like. Call her naive, but Lana Del Rey chooses positivity; she believes in the power of art and symbols.
If the world ever crumbles due to global 22 Syllables - Into It. Over It. - 52 Weeks (Vinyl, at least Miguel can sit back and laugh that he Migos, "T-Shirt". From its brash opening synth-bass booms to its relentlessly catchy "Mama told me While the ice trapper-themed video gets a lot of the praise -- understandably -- the song itself serves up a slew of quotables from each member of the trio, none more enjoyable than Takeoff's celebratory "Straight out North Atlanta! Maluma, "Felices Los 4".
Post Malone feat. Post Malone became one of the more polarizing breakout hitmakers ofparticularly after this 21 Savage collab spent eight weeks at No. No Bon Scott-big-upping tribute to living like a rock star has ever been this unnervingly serene. Rex Orange County started buzzing this spring after dropping his self-released Apricot Princess album, and the hype only grew stronger when his name appeared on the track list for Tyler, the Creator's Flower Boy this summer.
The single, with Dutch singer Benny Sings, could easily soundtrack a movie montage of a guy in love, the piano and drums timing the spring in his step, the sighing strings perfect for any sweeping gestures. Mura Masa feat. Kelela, "LMK". Rising D. Playboi Carti, "Magnolia". Taylor Swift, "Getaway Car". In a Rolling Stone feature earlier this year, Harry Styles said LP Taylor Swift's music is "the most amazing unspoken dialogue ever. Calvin Harris feat.
Frank Ocean feat. JAY-Z, "Biking". Little Big Town, "Better Man". In its simple melody, emotionally direct lyrics and bittersweet tone, "Better Man" called to mind Swift classics like "Fifteen" and "All Too Well. With LBT's Karen Fairchild singing lead in her rich alto, the song takes on some extra gravitas — the regret of a grown woman who blames another even as she admits a breakup takes two.
It's a win for everyone involved: a stellar showcase for LBT's gossamer harmonies, and an understated rebuff to anyone who insisted Swift had gone too global to ever return to Nashville. Lil Uzi Vert feat. Despite Uzi's presence on two epochal, defining hits still to come on this list, his most stunning achievement this year might've been "The Way Life Goes. It didn't need a Nicki verse, but no remix has 22 Syllables - Into It. Over It.
- 52 Weeks (Vinyl been worse for one, and every "Dilemma" needs both a Nelly and a Kelly -- even if it's not totally clear who's who here. Japandroids, "North East South West". Definitely Canada.
Charlie Puth, "Attention". It all adds up to a soul-pop jam that just went harder than any of its top 40 peers this year, and proved that Puth might be a little more George Michael than we initially gave him credit for. French Montana feat. Swae Lee, "Unforgettable". The track kicked around from there, with producer Jaegen adding to it, and the final version stars Swae and French, singing and rapping, respectively, on the cavernous banger -- which, no matter how low it goes, never loses that bounce.
Father John Misty, "Pure Comedy". The piano and vocals are vintage Elton John, but the lyrics are firmly rooted in the here and now. Like kindred spirit James Murphy of LCD Soundsystem, Josh Tillman has a preternatural grasp on the culture that shaped him, with a verbal dexterity and wit to match. Tove Lo, "Disco Tits".
Unlike most top 40 newcomers with a surprise hit to their name, Tove Lo isn't slavishly attempting to recreate the magic of "Habits Stay High " on follow-up singles, and the world of pop is more interesting for it.
Thanks to 21 Savage and his infectious banger, watching your money multiply was the cool thing to do in Produced by his go-to collaborator Metro Boomin, the "X" star deftly penned an addictive hook that made everyone want to live the lavish life: "I got one, two, three, four, five, six, seven, eight Ms in my bank account. The Korean-language lead single off their album, Love Yourself: Her, is a LP concoction of soft rock and brain-burrowing EDM-pop.
The title track to P! Stunts aside, the Jack Antonoff-produced single is also a perfect encapsulation of Alecia Moore's enduring appeal -- not only is she happy to kick open her front door and give you a look at her messy life, but she makes a strained relationship "my perfect rock bottom" sound like the sweetest thing on the planet since Harry met Sally. And in a world where most of us are closer to the gutter than the stars, it's reassuring to know we're not flailing around alone.
Logic feat. Still, if you think "" is all message-over-music, you're mistaken: The song's a profoundly beautiful construction, from its gently sighing beat, to the sneakily affecting way Logic's 22 Syllables - Into It. Over It. - 52 Weeks (Vinyl don't wanna be alive" protestations on the chorus flip by the final refrain, to the song's end allowing Khalid to audibly and understandably succumb to his overwhelming emotions.
But the song's most profound statement is still right there in the name, a wordless assertion that if one troubled kid who needed it managed to remember the title, it wouldn't matter how many DJs flubbed or skipped over it altogether. GoldLink feat. At justthe only valid criticism is that the song feels too short. Shawn Mendes has been 5-for-5 with singles since breakout hit "Stitches," but on the invigorating "There's Nothing Holdin' Me Back," he once and for all puts to rest the idea that he's a Bieber-in-waiting.
Truthfully, year-old Mendes has a lot more in common with a young John Mayer, melding heart-on-sleeve emotions with furious acoustic strumming and a bluesy growl. Mendes might be the guitar's best hope for a continued presence in top 40 radio — and if you're really listening to his songcraft, you shouldn't be mad about that. Sigrid, "Don't Kill My Vibe". But her vulnerable restraint is no match for her fury.
Ed Sheeran, "Shape of You". Then came this little nugget — the opening salvo of a new Ed Sheeran LP — which remained in the top 10 for 33 consecutive weeks, the longest run Hot history. Or: You can just imagine Rihanna singing instead. The fizzy, chaotic dance-floor time bomb sees Pharrell mixing verses about fancy cars and paparazzi with thoughts on border patrol and guns over bouncy, head-rattling production.
Kygo feat. Selena Gomez, "It Ain't Me". No other song by Kygo has resonated with pop audiences more than "It Ain't Me," a stellar mid-tempo trop-house banger featuring Selena Gomez, which earned the DJ his first top 10 hit on the Billboard Hot The Words and Music of Sting. Thoroughbred Times. Archived from the original on 16 June Official Charts Company. Retrieved 28 January Australian Chart Book — illustrated ed. St Ives, N.
Record Research Inc. The Police. Retrieved 10 November Chicago Tribune. Christgau's Record Guide: The '80s. Pantheon Books. ISBN X. Green Bay Press-Gazette. Rolling Stone. Archived from the original on 17 March In Brackett, Nathan ; Hoard, Christian eds.
The Sacramento Bee. Smash Hits. April Retrieved 28 May The Village Voice. The Recording Academy. Retrieved 28 August Hung Medien. Library and Archives Canada. GfK Entertainment Charts. Album Chart Book: Complete Edition — Archived from the original on 4 March
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