Sireality - 24-7 Spyz - Strength In Numbers (CD, Album)

Mob ," as they were affectionately known to fans, was an appropriate moniker in that they were to the Red Hot Chili Peppers what Royal Crown Cola once was to Coke; similar in taste but different, some preferred Royal Crown to Coke, and it still moved plenty of cases of soda -- at least for a time. The Mobmain members being singer David Ellisonguitarist B.

Emch, and bassist Harold "Happy" Chichesterwere a force to be reckoned with in the Midwestern American club scene of the late '80s, routinely packing houses beyond capacity and regaling enthusiastic crowds with a tightly played and highly appealing blend of punk and funk.

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Night Shift at the Thrill Factory. Keine Traume. They Never See. The Side Effects of Thinking. The s saw a slow decline in rock music's mainstream popularity and cultural relevancy, with hip hop surpassing it as the most popular genre in the United States. In the s, the COVID pandemic had a major impact on the rock scene, with many live performances being cancelled or postponed, and some artists resorting to online performances; the decade has also seen a revival of pop punk music.

Rock music has also embodied and served as the vehicle for cultural and social movements, leading to major subcultures including mods and rockers in the United Kingdom and the hippie counterculture that spread out from San Francisco in the US in the s.

Similarly, s punk culture spawned the gothpunkand emo subcultures. Inheriting the folk tradition of the protest songrock music has been associated with political activism as well as changes in social attitudes to race, sex, and drug use, and is often seen as an expression of youth revolt against adult consumerism and conformity.

At the same time, it has been commercially highly successful, leading to charges of selling out. A good definition of rock, in fact, is that it's popular music that to a certain degree doesn't care if it's popular. The sound of rock is traditionally centered on the amplified electric guitar, which emerged in its modern form in the s with the popularity of rock and roll. Furthermore, it typically consists of between three the power trio and five members. Classically, a rock band takes the form of a quartet whose members cover one or more roles, including vocalist, lead guitarist, rhythm guitarist, bass guitarist, drummer, and often keyboard player or other instrumentalist.

Rock music is traditionally built on a foundation of simple unsyncopated rhythms in a 4 4 meterwith a repetitive snare drum back beat on beats two and four. Harmonies range from the common triad to parallel perfect fourths and fifths and dissonant harmonic progressions. Rock and roll was conceived as an outlet for adolescent yearnings To make rock and roll is also an ideal way to explore intersections of sex, love, violence, and fun, to broadcast the delights and limitations of the regionaland to deal with the depradations and benefits of mass culture itself.

Unlike many earlier styles of popular music, rock lyrics have dealt with a wide range of themes, including romantic love, sex, rebellion against " The Establishment ", social concerns, and life styles. Since the term "rock" started being used in preference to "rock and roll" from the lates, it has usually been contrasted with pop music, with which it has shared many characteristics, but from which it is often distanced by an emphasis on musicianship, live performance, and a focus on serious and progressive themes as part of an ideology of authenticity that is frequently combined with an awareness of the genre's history and development.

In the new millennium, the term rock has occasionally been used as a blanket term including forms like pop music, reggae musicsoul musicand even hip hopwhich it has been influenced with but often contrasted through much of its history.

The foundations of rock music are in rock and roll, which originated in the United States during the late s and early s, and quickly spread to much of the rest of the world. Its immediate origins lay in a melding of various black musical genres of the time, including rhythm and blues and gospel musicwith country and western.

Debate surrounds the many recordings which have been suggested as "the first rock and roll record ". Rock and roll has been seen as leading to a number of distinct subgenres, including rockabilly, combining rock and roll with "hillbilly" country music, which was usually played and recorded in the mids by white singers such as Carl PerkinsJerry Lee Lewis, Buddy Holly and with the greatest commercial success, Elvis Presley.

The era also saw the growth in popularity of the electric guitarand the development of a specifically rock and roll style of playing through such exponents as Chuck Berry, Link Wrayand Scotty Moore.

In the United Kingdom, the trad jazz and folk movements brought visiting blues music artists to Britain. Commentators have traditionally perceived a decline of rock and roll in the late s and early s.

Bythe death of Buddy Holly, the Big Bopper and Ritchie Valens in a plane crash, the departure of Elvis for the army, the retirement of Little Richard to become a preacher, prosecutions of Jerry Lee Lewis and Chuck Berry and the breaking of the payola scandal which implicated major figures, including Alan Freed, in bribery and corruption in promoting individual acts or songsgave a sense that the rock and roll era established at that point had come to an end.

The term pop has been used since the early 20th century to refer to popular music in general, but from the mids it began to be used for a distinct genre, aimed at a youth market, often characterized as a softer alternative to rock and roll. The period of the later s and early s has traditionally been seen as an era of hiatus for rock and roll. Rock and roll had not disappeared at the end of the s and some of its energy can be seen in the Twist dance craze of the early s, mainly benefiting the career of Chubby Checker.

Cliff Richard had the first British rock and roll hit with " Move It ", effectively ushering in the sound of British rock. Also significant was the advent of soul music as a major commercial force. The instrumental rock and roll of performers such as Duane EddyLink Wray and the Ventures was developed by Dick Dalewho added distinctive "wet" reverbrapid alternate picking, and Middle Eastern and Mexican influences.

He produced the regional hit " Let's Go Trippin' " in and launched the surf music craze, following up with songs like " Misirlou " Surf music achieved its greatest commercial success as vocal music, particularly the work of the Beach Boysformed in in Southern California. Their early albums included both instrumental Album) rock among them covers of music by Dick Dale and vocal songs, drawing on rock and roll and doo wop and the close harmonies of vocal pop acts like the Four Freshmen.

They drew on a wide range of American influences including s rock and roll, soul, rhythm and blues, and surf music, [70] initially reinterpreting standard American tunes and playing for dancers. Bands like the Animals from Newcastle and Them from Belfast[71] and particularly those from London like the Rolling Stones and the Yardbirdswere much more directly influenced by rhythm and blues and later blues music. Beat bands tended towards "bouncy, irresistible melodies", while early British blues acts tended towards less sexually innocent, more aggressive songs, often adopting an anti-establishment stance.

There was, however, particularly in the early stages, considerable musical crossover between the two tendencies.

During the week of 4 Aprilthe Beatles held 12 positions on the Billboard Hot singles chart, including the entire top five. The Beatles went on to become the biggest selling rock band of all time and they were followed into the US charts by numerous British bands. The British Invasion helped internationalize the production of rock and roll, opening the door for subsequent British and Irish performers to achieve international success. Garage rock was a raw form of rock music, particularly prevalent in North America in the mids and so called because of the perception that it was rehearsed in the suburban family garage.

There were also regional variations in many Album) of the country with flourishing scenes particularly in California and Texas. The style had been evolving from regional scenes as early as The British Invasion greatly influenced garage bands, providing them with a national audience, leading many often surf or hot rod groups to adopt a British influence, and encouraging many more groups to form.

It is generally agreed that garage rock peaked both commercially and artistically around Particularly significant was the release of Blues Breakers with Eric Clapton Beano albumconsidered one of the seminal British blues recordings and the sound of which was much emulated in both Britain and the United States. Many of the songs on their first three albums, and occasionally later in their careers, were expansions on traditional blues songs.

In America, blues rock had been pioneered in the early s by guitarist Lonnie Mack[] but the genre began to take off in the mids as acts developed a sound similar to British blues musicians. Geils Band and Jimi Hendrix with his power triosthe Jimi Hendrix Experience which included two British members, and was founded in Britainand Band of Gypsyswhose guitar virtuosity and showmanship would be among the most emulated of the decade.

Early blues rock bands often emulated jazz, playing long, involved improvisations, which would later be a major element of progressive rock. From about bands like Cream and the Jimi Hendrix Experience had moved away from purely blues-based music into psychedelia. By the s, the scene that had developed out of the American folk music revival had grown to a major movement, utilising traditional music and new compositions in a traditional style, usually on acoustic instruments.

Early attempts to combine elements of folk and rock included the Animals' " House of the Rising Sun "which was the first commercially successful folk song to be recorded with rock and roll instrumentation [] and the Beatles " I'm a Loser "arguably the first Beatles song to be influenced directly by Dylan.

Tambourine Man " which topped the charts in Folk-rock reached its peak of commercial popularity in the period —68, before many acts moved off in a variety of directions, including Dylan and the Byrds, who began to develop country rock.

Psychedelic music's LSD -inspired vibe began in the folk scene. Pepper was later regarded as the greatest album of all time and a starting point for the album eraduring which rock music transitioned from the singles format to albums and achieved cultural legitimacy in the mainstream.

Progressive rock, a term sometimes used interchangeably with art rockmoved beyond established musical formulas by experimenting with different instruments, song types, and forms. Instrumentals were common, while songs with lyrics were sometimes conceptual, abstract, or based in fantasy and science fiction.

Greater commercial success was enjoyed by Pink Floyd, who also moved away from psychedelia after the departure of Syd Barrett inwith The Dark Side of the Moonseen as a masterpiece of the genre, becoming one of the best-selling albums of all time. The instrumental strand of the genre resulted in albums like Mike Oldfield 's Tubular Bellsthe first record, and worldwide hit, for the Virgin Records label, which became a mainstay of the genre. In the late s, jazz-rock emerged as a distinct subgenre out of the blues-rock, psychedelic, and progressive rock scenes, mixing the power of rock with the musical complexity and improvisational elements of jazz.

AllMusic states that the term jazz-rock "may refer to the loudest, wildest, most electrified fusion bands from the jazz camp, but most often it describes performers coming from the rock side of the equation. In Britain the subgenre of blues rock, and many of its leading figures, like Ginger Baker and Jack Bruce of the Eric Clapton -fronted band Creamhad emerged from the British jazz scene. Often highlighted as the first true jazz-rock recording is the only album by the relatively obscure New York-based the Free Spirits with Out of Sight and Sound British acts to emerge in the same period from the blues scene, to make use of the tonal and improvisational aspects of jazz, included Nucleus [] and the Graham Bond and John Mayall spin-off Colosseum.

From the psychedelic rock and the Canterbury scenes came Soft Machine, who, it has been suggested, produced one of the artistically successfully fusions of the two genres. Perhaps the most critically acclaimed fusion came from the jazz side of the equation, with Miles Davisparticularly influenced by the work of Hendrix, incorporating rock instrumentation into his sound for the album Bitches Brew It was a major influence on subsequent rock-influenced jazz artists, including Herbie HancockChick Corea and Weather Report.

Reflecting on developments in rock music at the start of the s, Robert Christgau later wrote in Christgau's Record Guide: Rock Albums of the Seventies : [14].

The decade is, of course, an arbitrary schema itself—time doesn't just execute a neat turn toward the future every ten years. But like a lot of artificial concepts—money, say—the category does take on a reality of its own once people figure out how to put it to work.

In popular music, embracing the '70s meant both an elitist withdrawal from the messy concert and counterculture scene and a profiteering pursuit of the lowest common denominator in FM radio and album rock. Rock saw greater commodification during this decade, turning into a multibillion-dollar industry and doubling its market while, as Christgau noted, suffering a significant "loss of cultural prestige".

In the '70s the powerful took over, as rock industrialists capitalized on the national mood to reduce potent music to an often reactionary species of entertainment—and to transmute rock's popular base from the audience to market. Roots rock is the term now used to describe a move away from what some saw as the excesses of the psychedelic scene, to a more basic form of rock and roll that incorporated its original influences, particularly country and folk music, leading to the creation of country rock and Southern rock.

The founders of Southern rock are usually thought to be the Allman Brothers Band, who developed a distinctive sound, largely derived from blues rockbut incorporating elements of boogiesoul, and country in the early s.

Glam rock emerged from the English psychedelic and art rock scenes of the late s and can be seen as both an extension of and reaction against those trends. The origins of glam rock are associated with Marc Bolanwho had renamed his folk duo to T. Rex and taken up electric instruments by the end of the s. After the early successes of Latin rock in the s, Chicano musicians like Carlos Santana and Al Hurricane continued to have successful careers throughout the s.

Santana opened the decade with success in his single " Black Magic Woman " on the Abraxas album. A strange time, —although rock's balkanization into genres was well underway, it was often hard to tell one catch-phrase from the next. From the late s it became common to divide mainstream rock music into soft and hard rock. Soft rock was often derived from folk rock, using acoustic instruments and putting more emphasis on melody and harmonies.

From the late s the term "heavy metal" began to be used to describe some hard rock played with even more volume and intensity, first as an adjective and by the early s as a noun. Led Zeppelin added elements of fantasy to their riff laden blues-rock, Deep Purple brought in symphonic and medieval interests from their progressive rock phase and Black Sabbath introduced facets of the gothic and modal harmonyhelping to produce a "darker" sound.

Rock, mostly the heavy metal genre, has been criticized by some Christian leaders, who have condemned it as immoral, anti-Christian and even satanic. Starting in the s Christian pop performers have had some mainstream success. Stargard's self-titled debut album came out in earlyand later that year, MCA released the trio's sophomore effort What You Waitin' For.

InAnderson left the group, and Runnells and Williams decided to carry on as a duo instead of hiring a replacement.

Both of those LPs received very little attention, and inStargard broke up. Posted by Vivisektor at AM 2 comments:. Labels: discofunkStargard. Nuyorican Soul - Nuyorican Soul Labels: funknu jazzNuyorican Soulsoul. The Gaturs - Wasted Booger Man 2. Cold Bear 3. Gatur Bait 4. Nobody Can Be You 5. Hunk of Funk 6. Funky Funky Twist 7. Wasted 8. Yeah, You're Right 9. Concentrate Get Up First Taste of Hurt One Thrill Fool Man That I Am Sweet Thing Download The Gaturs were not as well known as the Meters and not as minimalist in their take on funk, but like that group they created a distinct sound based on the party atmosphere for which New Orleans is famous.

Led by veteran session musician Willie Tee, the Gaturs' jazz-inflected funk and soul only made it to a handful of singles, but did pave the way for Tee's next project -- as bandleader for the festive chants of Mardi Gras Indians the Wild Magnolias.

Recording information: New Orleans, Louisiana Posted by Vivisektor at AM 1 comment:. Labels: funkThe Gaturs. Good Grief. No Honestly. Candy Strip Exp. Selfsufficient Snake. Burnt Up Cigarette. Hang Out. Demagogue Remix Download. Labels: rapcoreturntablismUrban Dance Squad. Thursday, October 23, Ultramen - discography. Ultramen began its activities in Porto Alegre in The first lyrics were in English.

This formation made the first show in the city of Porto Alegre and in the country side. Also, it was with six members that Ultramen made two official demo tapes. After the release of the demo tapes and the shows, the band started to be considered one of the most important bands in Porto Alegre, calling national attention, being invited to participate in festivals and shows in other states of Brasil. Soon after, there has been another change in the formation: Peru leaves and Marcito joins the band.

Around this time, other rhythms started to influence the musical mix of the band, like Brasilian music and reggae. In Ultramen recorded its first CD. This recording, which was totally sponsored by the band, happened to be heard by Dado Villa-Lobos, who decided to contract the band and release the CD under his own label — the Rock it!

This CD represents an important period for the band. During this period there was another change in the formation of the band: Julio leaves guitar and Alexandre Guri joins the group.

It came out at the end ofafter signing with Sum Records. At the beginning ofthe guitar player Alexandre Guri leaves and one of the founders of the band rejoins the band, Julio Porto. The latest work of the band, Capa Preta, has been released in the end of Capa Preta shows that the band continues in the same way of mixing musical styles, with its formula each time more matured myspace.

Labels: alternativeBrasilfunkhip-hopUltramen. Rebirth Brass Band - Hot Venom New Orleans Music 2. Rockin' on Your Stinkin' Ass 5. Pop That Pussy - featuring Cheeky Blakk 6. Hot Venom 7. Thinking About Ya 8. Let's Do It Again 9. Doing Bad Labels: brass bandfunkjazzRebirth Brass Bandsoul. Freekbass - Grooveyard She's Already There 2.

Milkhunt 3. Samething 4. Mission 5. Segue 6. Time 7. P-Leather 8. Up, Up, Up 9. Recorded live at the 20th Century Theatre in Cincinnati, Grooveyard is just that - a wide-open space full of dance- inducing, hard-hitting and sweaty electronic funk that listeners can let their ears run wild and get lost in! Labels: Freekbassfunk. Kirk - discography. Formed by eight-string guitarist Charlie Hunter as a side group to his own self-titled and San Francisco-based band, T.

Kirk was a cover act that took its name from the three artists making up its catalog: Thelonius Monk, James Brown, and Rahsaan Roland Kirk. Hunter's recording career had started inand he brought his group's drummer, Scott Amendola, into T.

Kirk to join the more conventional six-string guitarists Will Bernard and John Schott. The band wanted to be called James T. Kirk, but settled for T.

Kirk for their self-titled debut Album) when they didn't get permission to use the original moniker from Star Trek creator Gene Roddenberry's estate. The album gave Hunter license to play in styles even more funky than with his own ensemble, as the eight-string guitarist often played bass lines and guitar melodies usually simultaneously and even added keyboard-like textures on his customized Novax instrument.

Combined with Amendola's muscular drumming, Hunter's versatility allowed Bernard and Schott the freedom to re-work their namesake trio's classics like "Soul Power," "Bemsha Swing," and "Serenade to a Cuckoo. Yet Hunter, never one to stand pat, was making changes in his own band's Sireality - 24-7 Spyz - Strength In Numbers (CD. When he covered reggae legend Bob Marley's time-honored Natty Dread album, instrumentally and in its entirety, inand in the process made one of his best CDs, T.

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