Keep On Rising - Various - Geek Mythology (CD)
In the mid-to-late s, house music became popular in Europe, and then other major cities in North America, South America, and Australia.
Since the early to mids, house music has been infused in mainstream pop and dance music worldwide. The term IDM is now used almost exclusively in its acronym form, as the actual meaning came to be interpreted as implying that other styles of dance music are not intelligent. Illbient 4, Releases Illbient is characterized by dub-wise layering of soundscapes, hip hop-influenced use of samples, and a progressive approach to beat programming that encompasses all genres of world groove and electronic music.
It can be thought of as the dark, industrial, and often abstract, experimental side of the Downtempo genre. IndustrialReleases Industrial music is a genre of experimental music that emerged in the mids. Its basic components are semi-acoustic and include the use of electronic instruments as well as unusual objects such as metal rods and pipes, and rigged power tools. Traditional instruments are sometimes used, but usually in non-traditional ways.
Vocals, if present, tend to be either disaffected or angry. Lyrical content tends to embody dark themes, as well as protest, tension, uncertainty, and the like. As with many alternative styles, it generally eschews pop melodies, virtuosic solos, and romantic themes. In its early years mids to mid sindustrial music was partly rhythmic but rarely danceclub-friendly, and was predominantly a product of the heady British, Australian, and European art-school scenes.
After the split of Throbbing Gristle inIndustrial music spawned several subgenres that have been described as Post-industrial music. Many of these styles have their own entry on Discogs. EBM and Rock music and laid the foundations of Industrial rock. It was mainly popular in Italy, the U. The main characteristic of this musical genre originally was the use of samples, especially female vocal samples over a House groove that was predominantly ruled on some tracks by electronic piano chords.
Taking influences from the early Chicago House hits of the late 80s. Typically the vocals used in most Italo House tracks where sampled from early U. These powerful vocals would usually be used for the chorus, sometimes even not making much sense, due to the Italian musicians and producers at the time not understanding English very well. During this time, Italo House musicians, producers also featured acid sounds within their music and ventured as far as producing Techno, some producers also incorporated the exciting piano sound that had now become the basis of Italo House within some of their Techno releases.
Probably the most well known Label and Distributor of the Italo House genre would have to be Discomagic Records in Rome, which had many subsidiary labels that featured Italo House music. This label along with Media Records set the standards for an entire genre of music. DJs such as Sasha championed the Italo House sound and featured the genre heavily within his sets.
Italo-Disco 43, Releases Generally, Italo-Disco consists of English pop vocals often sung a little weirdly by non-native English speakers over mid-tempo, heavily synthetic disco or hybrid disco-electro rhythms, with emphasized lead synths.
It was mostly produced by Italians in the mids. Thus, the term is sometimes used more broadly to describe dance music from outside of Italy and from different eras and in more diverse styles. Very formulaic, this style makes heavy use of synthesizers: strong basslines, pounding beats, with a set tempo anywhere between and beats per minute.
A typical song will have male rappers sing the verses and female singers perform the chorus, but variations of that formula are frequent. Songs featuring heavy sampling are not rare. Instrumental releases were also fairly frequent. During this era, production was absolutely massive; many records were being quickly produced, which leaded to inconsistent output quality between releases.
For a long time there was no term coined for this kind of music, but when this style gained international fame the term was coined around and from then on this style of music was referred to as J-Core. This second movement was very much about self-made doujin fandom releases, not bothered by copyright since it was a very underground niche culture at the time. As a result, many albums feature unlicensed remixes and in recent years some labels have had to shut down the production of these albums or face consequences.
S and X-Treme Hard started to emerge which brought a more polished sound to the scene and started to become more mainstream as the years progressed. At this time the scene also gained international fame. Various stores sold the albums internationally and events across the border started to happen too such as Hardcore Synergy at Anime Central. Despite the amount of releases though, it is still a very fleeting and underground scene.
When first added to Discogs, it was envisioned as another name for late s Acid Jazz, or the slower side of Future Jazz. However, the term is also said to have been used in the s Keep On Rising - Various - Geek Mythology (CD) Northern Soul nightclub DJs, in reference to some of the s—s funk, soul, and jazz music they curated for the dancefloor.
With these examples, there is little to differentiate jazzdance from acid jazz. Gone and Soulstance. Like Northern Soul from which it kind of branched offthey were catch-all terms for highly danceable jazz usually Latin or Brazilian inflected. It morphed into Acid Jazz as a marketing term when Acid House got huge in late 80s.
Loud claps are layered over the kicks, thus creating a stomping beat that encourages dancers to jump to it. Bass and melody are usually arranged in a shuffle beat, which supports the stomping character.
Jumpstyle became one of the most popular Hard Electronic music genres during the period The genre emerged out of styles such as Hardcore, often using the same breakbeats and the same equipment. Jungle is characterized by high tempos to BPM being the averagechopped-up and often seemingly random breakbeat sequencing, heavy basslines, Reggae influence, and the iconic sound of Akai cyclic timestretch. Jungle also focuses on a sense of atmospheric intelligence contrasting with the violent sound of high tempo drums and basslines, juxtaposing the sounds of Romplers and samples of New-Age songs with the heavy, relentless chopping of breaks such as the famous Amen break.
It is said to have given birth to such genres as Drum And Bass and Breakcore. Sometimes it is used as a less-alienating alternative for the term Experimental. Lento Violento Releases Lento Violento is a style of electronic dance music that developed in Italy. It consists of a hard kick, like the ones present in Hardcore or Hardstyle, but played at a very slow tempo, with vocal samples and dark acid sounds on loop. Makina 9, Releases Spanish blend of hard house, happy hardcore and hard trance.
Usually quite fast, bouncy and with over-the-top happy melodies. When it arrived to Britain, the genre became hugely popular especially in the North East of England and Scotland but also attracts ravers from as far as Yorkshire, Greater Manchester, Merseyside, Lancashire, Staffordshire and the West Midlands to name but a few MinimalReleases Minimal is an adjective, and as such must be used to sharpen the style descritpion minimal techno for instance.
The term was first time used on a track from Speedy J. When used by itself, it generally denotes electronic music that uses only one synthesizer and one drum machine, without complex, layered melodies and instruments.
Usually no vocals. Can also be used for field recordings and other soundscapes. Neofolk may either be solely acoustic or combine acoustic folk instrumentation with various other sounds. It is coincidental that these were named similarly.
At the peak of its popularity it had a significant following in Japan, though it remains largely an unseen, fleeting and mysterious movement outside of Japan. It tends to be made with synthesizers or digital keyboards, played in traditional styles as a piano ordinarily would bealthough it can lean toward the experimental as well.
On the experimental side, it includes a broad range of ambient music, space music, field recordings of nature sounds rainfall, lightning, trees rustling, animals, etc. However, it almost always emphasizes tonal sounds and a lead melody. Strong modal harmonies may be present. It does not resemble dance music and is usually made by people with no connection to underground or even mainstream dance scenes. New Beat 7, Keep On Rising - Various - Geek Mythology (CD) New Beat was a wave of electronic dance music specific to the Belgian club scene from around and intowith its greatest popularity in and New Beat was often characterized by a relatively slow beat incorporating samples, synths and hypnotic bass lines.
Influences from New Beat evolved into the foundation of trance music e. New Beat faded into history as its artists increasingly converted to making higher-tempo music more strongly associated with techno or trance. Most nu-disco has no named sub-style or clearly defining characteristics, other than being rhythmically disco-based and not fitting into any other genre. Some nu-disco has a very retro, Italo-Disco inspired sound but probably should not be tagged as Italo-Disco. Power Electronics 19, Releases Power electronics was originally coined by William Bennett as part of the sleevenotes to the Whitehouse album Psychopathia Sexualis, and is related to the early Industrial Records scene but later became more identified with noise music.
It consists of static, screeching waves of feedback, analogue synthesizers making sub-bass pulses or high frequency squealing sounds, and screamed, distorted, often hateful and offensive lyrics. Deeply atonal, there are no conventional melodies or rhythms. The label Limbo Records launched from legendary Glasgow record store 23rd Precinct was also a major actor of the style. In a sense, it is a combination of house and trance, with the soulful, booty-shaking elements toned down and replaced by long chords and dubby ear candy.
Progressive Trance 83, Releases Progressive trance often very close to the musically progressive house is a style of Trance appeared well after acid trance, goa, and hard trance. With a beat and a bassline faster to the house BPMthe songs are long and have an interesting construction where different elements are brought gradual and gentle way hence the name of this style.
There are also less multi-layered melodies; making the sound more techno-like. The Scandinavian artists also brought a major influence to the style with a colder and harder sound. Artists like Atmos, Koxbox or Son Kite made it popular till With technology the style has developed immensely, starting to sound like the modern psy-trance at around Rhythmic Noise 11, Releases Rhythmic Noise is a form of Industrial music and a fusion of Noise with various styles of Electronic dance music.
Rhythmic Noise, aka power noise, should not be confused with Power Electronics, which is not influenced by Electronic dance music and is closer to harsh Noise.
Its origins are predominantly European. Rhythmic Noise takes inspiration from a number of Industrial artists. The Belgian artist Dive also Keep On Rising - Various - Geek Mythology (CD) the style in the early 90s and went on to also form a purely Rhythmic Noise parallel project, Sonar, in the mids.
Some releases on the harder and harsher end of the Techno spectrum have also been influential such as the early EPs by Aphex Twin. The genre gained larger exposure to the U. Both labels starting focusing more on releasing Rhythmic Noise during the late 90s. There have often been very similar sounds coming from the harder, harsher or more experimental areas of the Techno spectrum which, at times, has been embraced by those into Rhythmic Noise.
DJ and Techno producer Adam X started trying to bridge the gap between these scenes around the year Characteristics: Typically, Rhythmic Noise is instrumental, based upon distorted sounds with distorted drums and other distorted percussive sounds often being the primary focus. Sometimes a melodic component is added, but this is usually secondary to the rhythm.
Rhythmic Noise tracks are typically structured and danceable, but are occasionally more abstract and experimental. The genre is showcased at the annual Maschinenfest festival in Oberhausen, Germany, as well a number of other festivals. Others, such as Tarmvred, meld the style with Breakcore.
Others still, merge elements of IDM, such as Endif. An example of an artist that was once known more primarily in the Rhythmic Noise scene and is now well-known within the Techno scene would be Orphx. Ancient Methods and Orphx have also collaborated together under the name Eschaton with releases on the Techno label, Token. Newer artists such as Ontal and Tomohiko Sagae have been releasing music on both Techno labels and Rhythmic Noise labels.
There has also been and continues to be crossovers within other sounds and scenes such as the Breakcore and IDM scenes. Schranz 1, Releases Schranz is a hard, minimalist and fast mostly between and BPM style of electronic dance music, which is mainly enriched with sounds and machine-like sounds.
It is distinguished by repetitive, distorted percussion loops and a mostly monotonous character. Schranz represents a variant of the tool and loop technology and can be described as a pioneer of Hardtechno. Skweee Releases Skweee is a musical style, with origin in Sweden and Finland. The tracks are predominantly instrumental, though there are exceptions. What differentiates it from other house music is an emphasis on jungle-style basslines, and its simple house rhythms with prominent hi-hats.
Speedcore 10, Releases Speedcore is a form of hardcore that is characterized by a high tempo and aggressive themes. The genre was created in the early to mid s and the name originates from the genre hardcore as well as the high speed tempo used. This music rarely drops below beats per minute bpm.
There are Keep On Rising - Various - Geek Mythology (CD) non-New Wave synth-pop bands like Pet Shop Boys, but on the whole, the synth-pop scene of the s was dominated by a faction of New Wave bands that embraced the use of electronic instruments and relatively light, dance-oriented songwriting, yet still retained a fairly typical four-piece rock-band structure percussion, lead instrument, bass instrument, vocal.
Most synth-pop combines electronic and other instruments, plus strong vocals and melodies, and elements of whatever dance music styles are popular at the time. Synth-pop enjoys revivals now and then, with new bands deliberately paying homage to the old sounds, or just stumbling onto a similar aesthetic in their experimentation with styles.
Synthwave 19, Releases Synthwave is a term that has been applied to a subgenre of New Wave music that began in the lates with the rise of affordable electronic instruments such as synthesizers and sequencers. Despite being named as if it were a branch of synthesizer-based New Wave music, there is no direct relationship between the latter revivalist genre and aforementioned New Wave style, nor with New Wave generally. Tech HouseReleases This genre is a bit difficult to define, since there are different schools of thought regarding its production and sound.
Techno and House music have a shared history and compatible sounds, so Tech House releases often combine elements from both styles, usually inconsistently; some releases borrow more heavily from techno, others from house.
Tech Trance 9, Releases A subgenre of trance that developed in the mids that is heavily influenced by techno. It is characterized by the emphasis of synthesizers, rhythms, percussions and basslines rather than melodies. Tech Trance is sounds like the name also suggests how it would sound like; Typically nowadays has a Trance song structure following with Techno sounds. The purest form of Tech Trance has a Techno song structure and trancy sounds.
It was a sensation, Energy, Trance energy. Sander van Doorn was very keen to the emerging Electro trend aswell and also went along with him. It started to sound very bland, overcompressed and kind of cheap. Trance fans noticed the change and quickly were calling the genre Trouse Trance and House. Well, the internet was wrong once again since the emrging sound had nothing to do with Trance nor House.
We could say that what came, was just like another wave of rave. It actually sounded very much alike to the old skool Rave aswell, however the genre got a name — Big Room House. Well, thats the breif history of Tech Trance. How it really sounds like? Armin ruined Trance once, Armada once again. No, Tech Trance does not sound like a melacholic squarewave symphony what Armada seems to pull onto people, but rather fast-paced, percussive, systematic and complex from sound design.
How does Techno sound like? Cold, systematic, futuristic, percussive, hypnotic. How does Trance sound like? Hypnotic, spiritual, somewhat melodic, somewhat could be euphoric, sensational.
Juan Atkins, one half of Cybotron, was the first person to use the term to specifically describe the regional dance sound of Detroit. TranceReleases Trance emerged as a form of electronic dance music aroundwith the advent of music that was essentially techno or house, but had simplified percussion, extreme repetition, and other hypnotic effects such as sustained chords and long echoes.
Trance tempos are generally a little faster than techno, but can vary considerably. Additional info: Trance Production section of the Trance article on Wikipedia.
Consequently, on Discogs, such music might be tagged as for example both Trance and Techno. On Discogs, this music is generally tagged as just Trance. This newer sound is generally tagged with Trance, along with whatever other style applies, indicating it has elements of both. These tracks often include vocals, overt melodies, and traditional A-A-B-A song structures, and may include remixes of s pop hits.
This category of commercial trance music encompasses a range of styles, and boundaries are a bit blurred. It may emphasize straightforward, monotonous rhythms dominated by toms, bongos, and shakers, and may be devoid of build-ups, fills, hi-hats, claps, or other sounds that offset or distract from the main beat.
However, there are always exceptions. Tribal house roots are primarily in Florida, where the Caribbean percussive sound hugely influenced the post-electro scene; Rey Rodriguez, Tony Carrasco, MURK and George Acosta were the forerunners there and contributed to establishing Miami as a major clubbing town. The London UK school takes more influences from Jamaican sounds like raggamuffin and integrated them in progressive house with leftfield; examples being Fabio Paras and KLF. Trip hop can be highly experimental.
Deriving from later idioms of acid house, the term was first used by the British music media to describe the more experimental variant of breakbeat emerging from the Bristol Sound scene in the early s, which contained influences of soul, funk, and jazz. It was pioneered by acts like Massive Attack, Tricky, and Portishead.
UK garage was largely subsumed into other styles of music and production in the mids, including dubstep, bassline and grime. The decline of UK garage during the mids saw the birth of UK funky, which is closely related. Keep On Rising - Various - Geek Mythology (CD) 17, Releases Vaporwave is a genre that emerged in the early s.
Vaporwave grew out of styles such as witch house and chillwave, as well as related internet communities. Samples are often pitched, layered or altered in classic chopped and screwed style.
Witch House 4, Releases Witch house is an occult-themed dark electronic music genre and visual aesthetic that emerged in the early s. The music is heavily influenced by chopped and screwed hip-hop soundscapes, industrial and noise experimentation, and features use of synthesizers, drum machines, obscure samples, droning repetition and heavily altered, ethereal, indiscernible vocals.
The witch house visual aesthetic includes occult, witchcraft, shamanism and horror-inspired artworks, collages and photographs as well as significant use of typographic elements such as Unicode symbols. Many works by witch house visual artists incorporate themes from horror films, the television series Twin Peaks, and mainstream pop culture celebrities. Common typographic elements in artist and track names include triangles, crosses, and other Unicode symbols, which are seen by some as a method of keeping the scene underground and harder to search for on the Internet.
Used often at ceremonies. Played with unique instruments such as the didgeridoo, clapsticks, gum leaf and bull roarer. While traditionally more closely associated to rural based and Basque language music, the growing diversification of its production during the last decades has tipped the scale in favour of a broad definition.
Considered Portuguese musical patrimony. Fado is generally known for how expressive in nature it is, as well as being profoundly melancholic. The most common instruments used are metallophones played by mallets and a set of hand-played drums called kendhang which register the beat. Highlife was associated with the local African aristocracy during the colonial period. Highlife is characterized by jazzy horns and multiple guitars which lead the band.
Recently it has acquired an uptempo, synth-driven sound see Daddy Lumba. Igbo highlife and Joromi are subgenres. This arpeggiated highlife guitar part is modeled after an Afro-Cuban guajeo. The pattern of attack-points is nearly identical to the clave motif guajeo as shown below.
The bell pattern known in Cuba as clave is indigenous to Ghana and Nigeria, and is used in Highlife. It is a tradition that has been evolving since the 12th century CE, in North India. Honky Tonk 8, Releases A more upbeat form of country music that you can dance to. Usually lots of fiddle involded. It was reputedly derived from local attempts to copy Portuguese popular songs brought to Malacca by traders and usually involved the use of stringed instruments.
A local variant on the European lute resembling a ukulele was called the keroncong, so this may be how the style acquired its name.
Obvioulsy the style must have developed considerably over the time between the earliest European influences in the 16th century and modern times but there are no recorded examples before the early 20th century. By the time the earliest recordings were made in Singapore in by The Gramophone Co. Many similar recordings were made up until the early s when all recording activity stopped due to the Japanese invasion of Southeast Asia.
By this time accompaniments varied considerably and were not necessarily by the traditional group of stringed instruments in some cases more modern instruments like the piano and saxophone were used.
On most recordings the term keroncong applies to any popular vocal in the keroncong style whether stringed instruments were involved or not. After WWII the recording of this style continued, but post-war recordings already show some new developments. While most pre-war keroncong records are played fast and sung in a high-pitched nasal voice, later recordings tend to be slower in tempo and the singing style is also different becoming more similar to other forms of popular songs of that time.
For post-war recordings if the performance is not specified as keroncong or some variant of that term this tag should not be used. Although recordings of keroncong music continue up to the present day, by the late s it had been largely overtaken by other forms.
Although both Keroncong and Dangdut are well known forms of Indonesian popular music, they should be regarded as distinct styles and these tags would not normally be used together. Also called folk song or urban folk music, in its plural form is a Greek music genre which has taken many forms over the years.
It is strongly dominated by Greek folk music and it is used to describe Greek popular music as a whole. When used in context, it refers mostly to the form it took in the period from the s to the s. Usually performed by orchestras and bands. As years went on singers started to appear mostly male from until and then both genders. Liscio had a golden period between and when more than Liscio small orchestras were touring from city to city.
Usually this information is written after the title in physical releases and spoken in live before playing so that the dancers could know witch kind of dance to perform. The Western scale is seven scales. However, the Japanese scale is five scales.
The vocal does not have Kobushi Enka vibrato. These are the types of Minyou. Archived copy of the article, takenpage 2 Bledsaw, Bob July The Dragon TSR Hobbies. IV 1 : 10— Boucher, Geoff May 5, Archived from the original on May 16, Retrieved May 17, Briggs, Jerry November 30, San Antonio Express-News Texas.
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Darlington, Steven November Places to Go, People to be 5. Retrieved February 28, Darlington, Steven June Places to Go, People to be 8. Places to Go, People to be 9. Drout, Michael D. Tolkien Encyclopedia: Scholarship and Critical Assessment. New York: Routledge. Cook, David b. Player's Handbook. Cook, David [b]. Player's Handbook Revised ed.
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Kuntz, Rob April Kushner, David March 10, Archived from the original on November 13, Retrieved October 16, Leckart, Steven June 26, McCuen, Mike Small Obsessions. Archived from the original on June 8, Retrieved March 17, Mead, Lawrence; Malcomson, Ian Retrieved October 3, Mentzer, Frank Mohan, Kim Moore, Jeff. Humberside Wargames Society. Archived from the original on April 6, Mythmere's Wondrous Resource. Retrieved March 19, O'Connor, John December 28, Pope, Thomas March 25, The Stuff of Legends.
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Svensson, Peter July 21, Associated Press. A newsletter a day keeps the FOMO at bay. Just enter your email and we'll take care of the rest: Subscribe Please enter a valid email address. The Game Awards ceremony takes place on December 9th It's returning to an in-person event after going online-only in Sony buys remake and remaster studio Bluepoint Games Surprising no one.
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Oxford University Press. New York. Corbett, Edward P. Style and Statement. New York, Oxford. Kennedy, X. Pearson, Longman. ISBN X. Forsyth, Mark. The Elements of Eloquence. Quinn, Edward. A Dictionary of Literary and Thematic Terms. Checkmark Books. Brigham Young University. Irony Leitmotif Metaphor Moral Motif. Past Present Future. Categories : Figures of speech Rhetoric. Hidden categories: Webarchive template wayback links CS1 maint: archived copy as title Articles with short description Short description is different from Wikidata Articles containing Ancient Greek to -language text Commons category link is locally defined.
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